Saturday, December 01, 2007

Crafted with my very own hands

I finally got round to doing some sculpeying(?) today bought some tools yesterday and spent most of the day making something up then trying a different side then smushing the other.

Still its a welcome change from staring at a screen day in day out.
Piece is a lil' something for my organic project although im not sure if it looks like a rose or a particuarly nasty case of piles

I know somebody in Edge magazine...




Latest Edge has a feature up on gamecity showing the various events around the uh event - but whatsthis?!
Why its Game Art's very own David Sillitoe! Apologies for the picture quality they were taken at 6 in the morning with a 'orrible energy saving bulb

Thursday, November 29, 2007

modelling update


I've realised I've not posted up any new information on me self portrait model, well I started a brand new head this one has ears, nostrils spherical eyes and a inner mouth among another things that make it look a bit more realistic and believable and not like Odo off DS9. The face geometry has been reduced while still retaining its shape and im experiementing with a mixture of poly modelled hair and alpha's. Current new model stands at 2443 tris which gives me a further 57 tris to play with for the hair.

Alas the hands still look like a cripples - i need to find a way to model all fingers within the budget

Creativity or mum knows best

My mums just recently well 'retired' i suppose from working with various austistic children in a number of primary schools seeing as how creativity seems to be so tied into the education system, for better or worse, I thought I'd pick her noggin for a few of her thoughts on the whole arrangement.

If general education can quash any creativity out of an individual, guiding them down a linear path preset when the UK was more industrial than it is today the effects this has upon an autistic child must be huge,
Many of the children had been expelled from state school, most of the time simply for struggling with the curriculm, and thrust into private school the parents assuming throwing money at it would solve the problem, coupled with the parents expectations and they way the curriculum is drilled into children the oppurtunity for any creativity is long lost

The curriculm often hindered development of learning let alone encouraging any creativity, one topic would be covered a week then you would move on to the next. This topic could not be revisited even if the child showed a genuine interest for it interestingly this would apply for all subjects across the board not just the 'proper' subjects of Maths, English etc.

Coupled with an extremely rigid curriculm guidelines enusring they must stick to that completely without going off on a tangent despite any positive benefits it would have upon learning, for example studying insects in grass it would be completely discouraged for the teacher to take the children out into the field opposite to draw the insects in the grass

So you can see currently the way this stuff is taight is so rigid and unbending it often hinders itself let alone any oppurtunity that may arise for creative or abstract thought

UnrealED: Praise indeed

Righty I've been idly playing around with the UnrealED toolset that comes with Gears of War and UT3 for aroun d two weeks so i'd thought I'd post my findings and musings on the whole thing,

The Same Subtractive blockworld editing is still present here but you can now choose to build a map using additive brushes, for previous versions this would have been madness it was hard enough getting a correctly dimensioned room without having to create it from 6 brushes, but the new geometry mode pulls up a 'mini-max' style interface that allows you to select the verts, poly and edges of a brush allowing you to quickly resize and shape it, there are even options for modifiers and soft selections and because ALL objects now clip to the same grid you don't spend time carefully snapping them all to the same grid scale

Another nod towards Max is the inclusion of a massive directional widget, this can be toggled for scale and rotation and is a nice change over selecting a brushes tiny verts, holding down shift to move and have it shoot off into the void because your fingers had slipped. These can be scaled in uniform or non-uniform directions

Building upon previous versions is the new asset browser through this dialog window you can view absolutely everything in the engine from animation to UT map music all of which fire up there respective viewers, its really nice to be able to load up a custom model and be able to look at it ingame without compiling (im looking at YOU source engine) then dump it into your map. Being able to view all of the assets that would make up a map in one place quickly and easly is a huge boon to the speed you work. It also displays the various entities in a map logically sorted in a folder tree allowing you to quickly alter a large number at a time

Additionally importing stuff into the engine couldn't be easier models can imported from .ase or .obj with all of the smoothing groups and other details normally lost still intact, additionally theres no hardlimit on the amount of polygons you can import so models in there millions are doable although why you would want to im not sure. Accepted texture formats are even broader the expected .tga and .bmp extensions are there but being able to import raw .psd files is a huge time saver.

But the best thing has to be the material editior, by simply plugging in some rough textures and connecting up some boxs you can quickly make some really nice looking shaders and all without any shader programming knowledge. Stuff like water, oil spills, blobs of jelly anything that would require knowledge writing complex shaders can be created in the material editior. Im pretty sure this is the tool that will make a good map stunning

I've not even mentioned the kismet scripting engine or any of the sound stuff but yeah colour me impressed

Im gonna post up some of the problems I've found with it later on, although to be honest there not many